Forging a new identity

In all developing countries, the certainties of rural traditions are giving way to urban life, with its opportunities and risks, its individual freedoms, and its more complex social demands and frameworks of support. Whereas in traditional rural communities, the extended family and established customs used to guide the transition to adulthood, in the rapidly changing urban environment, young people learn much about what to expect and how to behave, from their peers, and increasingly from mass media. This has led to the creation of a youth culture, that is urban in nature and that serves as a reference point for young people developing their identities, often while challenging their ascribed roles at home, school, and work.
Young people in urban settings often develop a sense of self and identity from their surroundings. (1) These surroundings usually offer far greater social, cultural, and ethnic diversity than rural environments. The close proximity and frequent interactions of young people in urban areas facilitates the creation, adaptation, and dissemination of an urban youth culture.(2) As became clear in Angelo’s story, the interactions with the urban environment can have an intense impact on the socialization of young people, exposing them to a multitude of influences as they develop, experiment, question, and assume roles in their societies.
The collective identities of urban youth are
shaped by – and expressed through– music,
dance, fashion, art, and other cultural forms.
Music genres such as hip hop, which originated
in poor urban African American neighbourhoods
in the United States and represents the lifestyles
of impoverished youth, have provided young
people with a new form of expression and
have influenced their clothing, language, and
outlook on life.(3) Other aspects
of youth culture are reflected in certain risk behaviours that are
especially prevalent among young men in urban
areas, including alcohol and drug consumption
and engagement in violence.(4)
Globalization has enabled youth culture to become a global phenomenon. Young people are growing up in a world in which goods, capital, technology, information, ideas, and people move swiftly across borders. With the rapid expansion of fast food restaurants, homogenous shopping malls, and young people who dress alike and listen to the same music, city centres throughout the world increasingly resemble each other. Mass media are especially influential in imparting knowledge to young people and socializing them to particular aspirations, values and attitudes, often in contradiction to the traditions of their culture.(5) Watching television, listening to the radio, or surfing the Internet are important not only for the effects they have on a young person’s attitudes and behaviours, but also for signifying inclusion and access to knowledge in an increasingly interconnected world.(6)
Access to the media and information and
communication technologies (ICTs) varies
significantly by geographic region, social class,
and place of residence. Youth living in cities are
far more likely to have access to television, radio,
and newspapers than those living in rural areas.
From 2000 to 2003, more than half of the 269
million new Internet users were between the ages
of 15 to 24,(7) with the majority of them living in
urban areas. The use of new technologies is often
a communal experience, since many youth do
not have computers at home, instead they access
the Internet at school or in Internet cafés. Though
Internet usage and mobile phone ownership are
highest among youth in urban areas, many urban
youth still do not have access to these new ICTs.
Education and socio-economic status are key
factors affecting access. In Indonesia, for example,
only 16 per cent of urban youth have used the
Internet and only 27 per cent use mobile phones
for short message service (SMS), whereas 59 percent of university students
have used the Internet, and 95 per cent use SMS.(8) Furthermore,
in some countries, young women’s access to the Internet
is far more limited than that of young men.(9)
Urban youth are targeted as a new generation of consumers who can be heavily influenced by popular cultural icons and media messages. But media messages are not transmitted and received in a vacuum; young people have many resources that allow them to interpret and reshape these messages without completely abandoning their identities.(10) Superficial similarities in youth culture may obscure the huge differences in family structures, behavioural expectations, and patterns of sexuality, marriage, and reproduction.(11) The impact of greater exposure to the media largely depends on the local culture and its response to imports. In many parts of the world, the resurgence of religious movements has acted as a countervailing influence to the more permissive attitudes sometimes purveyed by the media.(12)
A project that positively incorporates youth
culture is Dance4Life. This international
collaboration uses dance as a way to raise
awareness and actively engage young people
in the struggle against HIV/AIDS. The project,
which is still expanding, currently runs in
secondary schools in ten countries. It uses a
life-skills approach and consists of numerous
activities throughout the school year, culminating
with the worldwide Dance4Life event on the
Saturday before World AIDS Day. In 2006,
nearly 100,000 young people in ten countries
took part in the project. The Dance4Life event
involved local artists and bands and connected
youth in participating countries by satellite. The
project aims to have at least one million young
people dancing all over the world by World
AIDS Day 2014, making a powerful statement of
hope. Dance4Life includes all aspects of young
people’s culture: their icons, their media, and
their favourite music and dance.(13)
Youth cultural understanding, needs and values
have an important impact on the social capital
of urban communities and neighbourhoods.
Youth-specific public spaces should encourage
social integration with the other parts of the
community and promote the recognition and
validation of youth culture.(14) Priority
should also be given to decreasing the digital divide and
providing greater youth access to media and
ICTs. In addition, sports activities, music and
art instruction, and recreational pursuits should
be promoted to help youth develop a positive
self-image and essential social skills. When
youth living on the margins, like Angelo, are able
to develop a public sphere of their own, they
gain a sense of self, personal competence, and a
network of peers, which can serve as sources of
social capital for a safe and successful transition
to adulthood.